“with the aid of a strong team of soloists, Hilary Davan Wetton makes as strong a case as possible for [Der glorreiche Augenblick]...The performance [of the Choral Fantasy] here benefits greatly from the contribution of Leon McCawley, whose account of the long opening piano solo has just the right degree of dramatic intensity and improvisatory freedom. With first-rate recorded sound, the disc is strongly recommended.” --BBC Music Magazine, July 2012 *****
“Davan Wetton rouses his forces to hymn the praises of Vienna and Emperor Franz of Austria, drawing from the City of London Choir the full-bodied outpouring that one expects at celebratory occasions. The Westminster Boys Choir adds pristine treble tones to the concluding chorus. The Royal Philharmonic plays with relish in both the cantata and the Fantasia” --International Record Review, May 2012
“[Wetton] has a comprehensive grasp of the score [of Der glorreiche Augenblick]. From grandeur to contemplation, the mix of many elements is persuasively interpreted...Leon McCawley plays the 26-bar solo introduction [to the Choral Fantasia] with a sense of ad-lib abandon, coruscating in the hailstorm of notes at its fortissimo climax.” --Gramophone Magazine, September 2012
“The choirs are consistently excellent and they make light of Beethoven’s demanding vocal writing. The playing of the Royal Philharmonic is first-rate in every way, revealing an adoption of historically informed performance practice. Hilary Davan Wetton’s enthusiasm and love for both works is obvious” --MusicWeb International, July 2012
“[Wetton] has a comprehensive grasp of the score [of Der glorreiche Augenblick]. From grandeur to contemplation, the mix of many elements is persuasively interpreted...Leon McCawley plays the 26-bar solo introduction [to the Choral Fantasia] with a sense of ad-lib abandon, coruscating in the hailstorm of notes at its fortissimo climax.” --Gramophone Magazine, September 2012
“The choirs are consistently excellent and they make light of Beethoven’s demanding vocal writing. The playing of the Royal Philharmonic is first-rate in every way, revealing an adoption of historically informed performance practice. Hilary Davan Wetton’s enthusiasm and love for both works is obvious” --MusicWeb International, July 2012
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